Palm muting, scales and arpeggios. Easy to learn but you must dedicate time, since the precision of every note is very important!

Pentatonics are extremely useful to create cool solos. But what if we added some notes to them? How about adding to the pentatonics the notes that would make them work on modes?

When I started to write this lesson I found that I didn't like the sound of the pick attack. So... I recorded the lesson without the pick. My right index finger does the work: with the fingernail I play the downstrokes and with the fingertip I play the upstrokes.

The classical Phrygian dominant mode in a progressive rock manner by using Chromatic lines , inside/outside playing and random notes.

Carlos Carrillo here and this is my first lesson. I recorded a clean solo where we will work on aspects like rhythm, scale uses, and different techniques as legato, alternate picking, Vibrato, Slides harmonics and arpeggios in A.

The Phrygian scale is the 3rd mode taken out of a Major scale. The minor second degree gives it an eastern feel. Today's lesson will focus on an E minor Phrygian key. On a technical point of view, we'll concentrate on alternate picking.

Let's explore the mysterious depths of the Phrygian mode!

Today we'll take a look at the Phrygian Dominant scale. When a scale is Dominant, it means that it has a major third and a minor seventh. That means that a Phrygian dominant scale is a phrygian mode with a major third.

Outside phrases using the Phrygian dominant scale for jazzy fusion vibes